
Issue 6
Editorial Board
Editor in Chief: Ella Taft
Deputy Editor: Hana Carlson
Editorial Assistants: Chase Agudo, Sarah Duncan, Ana Goyle, F. El Idrissi, Caroline Powers, Evelyn Yang
Accessibility Team
Director of Accessibility: Yusra Khalil
Representative: Julieta Cerda
Representative: Matilda Yiu
Publicity Team
Publicists: Ana Goyle, Sarah Duncan, Juliet Higgins, Ella Taft
Web Design: Ella Taft
Austerity
Writers
Ella Taft
Hana Carlson
Juliet Higgins
Ana Goyle
Eleonore Mordacq
Julieta Cerda
Lyria Hunte
Yusra Khalil
Matilda Yiu
Caroline Powers
Zoe Cobb
F. El Idrissi
Sophia Z.
Bella Holt
Bernie Ince
Jael Michel
Evelyn Yang
Chase Agudo
Sarah Duncan
Aojia Wang
Jaden Lai
Amy Smout
V. Rowny
Noshin Sayira Torsa
Serena St. John
Seoyun “Elsa” Lee
Dennis Taft
Hannah Rhee Kim
Yue Y.
Mia Saira Gyani
Henry Johnston
Sadé Williams
Mishka Suri
Kzreel Pierre
Zoe Friedland
Aicha Benchemsi
June '26
Contents
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Shattered Petals: poetry
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Reflections of Light: personal essays / narrative journalism
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Corolla's Looking Glass: flash fiction / vignettes
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The Mirror's Bloom: short stories
Represented Countries
America, India, Chile, Morocco, The United Kingdom, China, Singapore, Canada, South Korea, and Australia
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CONTENTS
Shattered Petals
POETRY
Between Bites of Khao Soi
sometimes you will never know...
duplex (cento)
Remorse
A Running List of Writing Ideas
metaphors for metaphors
portions
The Corpse of a Living Language
Chronicles of Having a Lost Voice
The Penultimate Goodbye
Does Writing This Make Me American?
Corolla’s Looking Glass
FLASH FICTION / VIGNETTES
flowers for emily
The Mirror's Bloom
SHORT STORIES
Glowing hole in my life
A Long Walk Home
Reflections of Light
PERSONAL ESSAYS / NARRATIVE JOURNALISM
Ode to New York City
Photo Credits and Cover Design: Ella Taft
SHATTERED PETALS
Poetry
Between Bites of Khao Soi
BY SADÉ WILLIAMS
My mother told stories over curry noodles
in a small Thai restaurant in Norfolk.
The air smelled like basil and chili oil.
I was too young to understand Thailand
beyond what arrived at our table.
She spoke about people mostly.
Young queer kids moving carefully
through their own lives.
Visible in some places.
Invisible in others.
I remember thinking the world
must be full of hidden versions of people.
New environments.
New cities.
Every place had rules
no one explained aloud.
I became good at reading rooms.
Good at noticing what people edited
out of themselves.
Sometimes I still think about that restaurant.
The clatter of dishes.
Steam rising from noodles.
My mother speaking as if the world were larger than what could be seen.
sometimes you will never know the value of a moment until it becomes a memory
BY ANONYMOUS
The last day of school, when the lights are dim
And sun spills through the windows
We exchange our yearbooks
for the last time,
Signing our names like our lives depend on it
Because we didn’t think this was actually going
to be the last time
But it is, and it makes me want to cry
We complain about the cafeteria lunch
for the last time
Just like how we did
on the first day
Laughing a bit too louder than usual
Because being quiet would be too painful
Instead of see you tomorrow
or see you in September,
It’s I hope to see you again.
I say it like a wish, like a promise
I’m scared won’t come true
Because these are the people I grew up with
And it’s the memories with them
I’m going to miss.
I’ll walk away from this building
But I won’t walk away from the years
The new kids watch us leave from the windows
The memories of my first day overflow
High school is something I will remember
Always and forever.
duplex (cento)
BY CHASE AARON AGUDO
god doesn’t know us like the devil does
if jesus were here, he’d crucify himself
since jesus was here, we’ve crucified ourselves
quarter baked and cosmically bruised
quarter baked and cosmically bruised
i am tempted to call the whole thing off
I’m attempting to call the whole thing off
‘til the world comes a’knockin’ at my door
the world has come a’knockin’ at my door
knowing damn well I’d never gain the strength
knowing damn well I’ve never gained the strength
I can catch a glimpse of infinity
I’ve caught that glimpse of infinity—
god doesn’t know us like the devil does.
Remorse
BY ANA GOYLE
Why have you told this information?
Disturbed and not in love
Terrible urges
To throw everything away
Interpreter. A barrier.
Remedy.
No, she did not. Was not
Glassy-eyed and desperate
Unable to sleep or
Give words to pains
It was Guilt — mustard oil thick
On frosty lips.
Velvety tails dragging behind.
Hiding from view.
She shrieked and shooed.
Hissing to scare them.
They retreated slowly, obedient
But unintimidated.
Gathered in his own arms.
Stunned, shivering
With fright
Bleeding slightly
Broken skin
So dirt brushed off.
and preserved forever in his mind…
A Running List of Writing Ideas
BY VERONICA ROWNY
The red shadow lights that cast a play on the school bus,
the honeyed glow of European streets,
mud pies drying soft hands back home,
the crack of a Dr. Pepper from Grandpa John
and how I miss it,
the euphoria of morning wind and droplets
during the first stroke,
forgetting I'm angry,
platonic love,
Sunsets spilling out of their own endings---
A myriad of things,
Not enough words
To hold the feeling still
Losing it to language
Is another kind of loss
To capture it in syllables, spelling, confinement
Serifs and font
It doesn't roam off the page
It stays stagnant
Stays where it's written
Ceasing to wonder
Writing makes everything
black and white,
good and bad.
The soft hum of red light and laughter
doesn't seem to seep in.
I can't put them into words
because they're not things,
but memories I mourn
as they pass.
metaphors for metaphors
BY EVELYN YANG
when water catches in your throat,
it’s the gurgling stream blocked by a dam,
the persisting warmth in your hands
the water preparing to boil,
tossing back and forth in bed
is the seesaw waiting to be even,
how you miss everything
the baby bird tossed from the nest,
winter battling summer
the sweltering heat amidst the cold,
dry contacts clinging to your eyes
how turned leaves swing from thin branches,
the alarm ringing in drowsiness
a lost child wandering unfamiliar streets,
the exhaustion that batters through
is the wind throwing off your scarf,
while the notion of waiting until–
is the predator waiting to prey,
and the life you are living
is the metaphor that keeps remaking.
portions
BY AMY SMOUT
i still save you a portion,
every time i eat—
just in case.
the plate cools slow,
as if it waits too.
it’s almost a comfort—
as if you might return.
your absence is deafening.
it fills every room,
crushing me breathless.
my voice shouldn’t echo
not here.
The Corpse of a Living Language
BY ELLA TAFT
I wouldn’t speak anything but English and
Turkish, when I was young, and I
Seemed to always be
Speaking. My world—nothing
But words. When I’m old
And grown,
As it was always said I would be, I might
Move there for a year or two, of course, and
Find my words again. Perhaps still
Studying the classics—having sacrificed
My mother’s other mother tongue.
And truly alone in
community, an American in
another homeland, fish out of water,
in Icarus’ waters—
there, I might find myself.
But now, my attempt at conversation
Is a skipping stone that can only sink,
So for the first time, I’ve truly sat and
Listened—to think—
to think—
Chronicles of Having a Lost Voice
BY VERONICA ROWNY
Lost between yells
Shouts
To do better
Lost for the people whom I love
Lost for the passion
Of being known
Now lost
O, I feel power
Less
Unable to shout
Raise
Past the voices
Who overwhelms me
Past those
Who doesn’t want me to be heard
He told me
Months ago
I shouldn't feel this way
It's not the reality
Excuse me--
His reality
Mine is defined by people
Like him
Telling me my voice
Is lost and then not found
Telling me I don’t have to yell to be heard
Telling me I can whisper
My whispers will faint
Like mice in your mind
My whisper will exist in his
Like a mortal reminder
Of the wrong
Never ceasing to speak
To him
But hidden from everyone else
The Penultimate Goodbye
BY JAEL MICHEL
They expect me to sit still while pieces of you absquatulate.
They expect me not to try to hold on to our memories with my elusive hands
While, without a timeline, the knowledge of my life starts to extirpate
How quickly will my passions flee before I am able to consolidate
And lock them up, rapidly tying my joys with tight bands?
They expect me to sit still while pieces of you absquatulate.
You tell me to stay in the moment, not to race forward, not to extrapolate.
I absorb the warmth in your smile as you give your tears remands
While, without a timeline, the knowledge of my life starts to extirpate
I scold my mind for for its inability to ameliorate
But how can I stay here when you are to be a grain among the sands
They expect me to sit still while pieces of you absquatulate.
I say “Let me be!” to the oblivion of every room you aureate,
The oblivion of every short lived ludic experience your mind expands
While, without a timeline, the knowledge of my life starts to extirpate
I call out “My Love!” before it is you my mind decides to immolate
I call out “My Dear!” before you are ripped by the strands
They expect me to sit still while pieces of you absquatulate.
While, without a timeline, the knowledge of my life starts to extirpate
Does Writing This Make Me American?
BY NOSHIN SAYIRA
I want to sing my own song,
a song that doesn’t have your grimy hands on it.
Why would I want to be a part of a country,
that doesn't let itself be painted by colors,
nor treat every puzzle piece the same?
My mother warns me as I step on the American soil,
“Ma, don’t become like them.”
I stayed traditional, loveable to family, and ignoreable to others.
Culture cuffs me to the ground, but I don’t know which one.
I’m at the local police station,
not understanding who went wrong.
“I know he’s older, but in my country-”
“He groomed you. Will you place charges?”
Don’t talk to me as if I’ve given up.
Words leave my mouth. I steal them back.
I feel guilty for burying so many of my bodies.
But do I have to be American in America?
REFLECTIONS OF LIGHT
Personal Essays / Journalism
Ode to New York City
BY NOSHIN SAYIRA
One of my biggest fears is being predictable. In New York City, a place where every block feels like crossing into a different country, I learned that unpredictability can sneak up on you in the smallest moments. From wishing on glowing apartment windows stacked like constellations to the quiet whispers of a random garden, this city has always spoken to me. Even the shady alleyways taught me one thing too: that being unpredictable makes you alive. It makes you, you.
When I write, all I wonder is if the reader will need to take a moment after they finish reading. I want them to take that moment, because that moment sprouts from feelings that aren’t usually confronted. If my life has taught me anything, it’s that unpredictability can reveal truths we didn’t know we needed to see.
So I write. I write whatever comes to mind, whether it be about my cat or the aftermath of being in a relationship with a 30-year-old man. Bet you didn’t see that one coming. Life rarely hands me neat or comfortable stories, and if I told them any other way, I’d be predictable. I don’t do it to show off, but because I am not ashamed of myself. I’ve done a lot of wrong in my life, but growing up means coming to terms with that and accepting that it’s okay to make mistakes. Having unpredictability in your life pushes you to your limit, only to show you everything you're capable of.
Even if I crave unpredictability, I find myself falling into patterns too. I go to the same stores and always say hi to dogs. Sometimes I end up in the same subway car, standing in the same spot. In a city where every turn could be a new one, I stay away, taking the same path home, because this predictability keeps me safe. The first time I noticed these routines, my heart froze. I felt like I was becoming my worst fear.
But New York has a funny way of interrupting what could’ve been bland. One day, a girl in my subway car started singing in Spanish. Her voice echoed across the car and filled the space, and for a moment, I felt everyone pause, strangers sharing the same unexpected silence. Though I am not fluent in Spanish, I felt her words in my soul. While she was singing, we made eye contact, and I realized that even in the same subway car, the same spot, in this city, unpredictability can always find you if you believe it never left.
After that, even in "predictable" moments, I started to notice things I might have missed: the way the sunlight hits someone's hair, a cat darting across the sidewalk, or even a face that looks strangely familiar. It makes me remember why I crave unpredictability so fiercely. The tension between wanting more and needing safety is exhausting, but it also shows me how much I can hold, how much I can experience without losing myself.
But as life continues to play out, I keep losing the will to fight back. My life experiences are unique, and I could be here all day telling you about them. But I won’t, because I’m tired. I want to be unpredictable and fight back and do things to stand up for myself, but sometimes the strongest thing to do is run away.
This is an ode to New York City. I am so grateful for everything it taught me, but it has also taught me that it is okay to be predictable. I deserve to feel safe too, and so I will run. And when I write about it later, don’t worry, the story will be as unpredictable as the city itself.
COROLLA'S LOOKING GLASS
Flash Fiction / Vignettes
flowers for emily
BY CHASE AARON AGUDO
“Y’know, Charlie,” Grant said. “I never really liked flowers.”
“Yeah? How come?”
“They’re…”
A breeze pushed against Charlie’s shoulder.
“I dunno. They’re…fussy.”
“Really?”
“What, you don’t think doing the whole going-outta-my-way-to-pick-out-a-bouquet thing is annoying?”
“Well yeah, but isn’t that the point?
“The point?”
“You’re supposed to put in a little bit of effort. Jesus, nobody said you had to go out and pick the flowers yourself. It’s not like you’re growing them.”
A pause.
“Just spend $50 on a good bouquet, man, what the fuck?”
“I guess.”
Another pause.
“I mean, she didn’t seem to like the flowers I got her last time.”
“But Emily loves flowers.”
“Not mine.”
“Why? Whaddya get her?”
“Orchids.”
“Yeah, she doesn’t like orchids. They were the flowers they put in her dad’s coffin so, y’know...”
“How was I supposed to know that?”
“Fair enough.”
The wind grew colder.
“Dandelions,” Charlie whispered.
“What?”
“Dandelions. Her favorite flowers are dandelions.”
Charlie looked away.
THE MIRROR'S BLOOM
Short Stories
Glowing hole in my life
BY HENRY JOHNSTON
1
Glowing hole in my life, I wonder if society will ever get sick of your glare. Maybe it’s arrogant of me to assume that I can escape it— that I know better. But, I think I do. You’re always so cold to the touch, so alien, so distant.
I don’t like working at my desk anymore. That’s where you sleep.
Glowing hole in my life, why do you stare at me so? I don’t like the way you look at me. You are laziness personified; effortlessly swiping your through endless entertainment. But at the same time, without you I am cut off— stranded on my own island of ignorance. I don’t think the precious two that have raised me could ever understand... How could they? Imperious New York Times articles would never teach them this.
Glowing hole in my life, despite your presence I still enjoy other things. I still read. I still play music for hours. If anything, I have hung out with friends more, not less, ever since you entered my life. But, that doesn’t make me any less guilty if I indulge you even for just thirty minutes away. But, I am allowed to feel guilty about looking at your smoky screen. This entire generation stares at you too.
Glowing hole in my life, there are days when I don’t see you like that. Good days when I do my homework at lunch and hang out with friends after Jazz Club. There are good days when I listen to music or check my email on the bus. Days when I’m in bed by 10:30. And then there are bad days, where you and I converse for 20 minutes right after I wake up. It’s bad enough when I feel like I would rather talk to you than ignore you. But when I offer you more attention than a trivial glance, those days I am in bed by 12.
A Long Walk Home
BY AMY SMOUT
2
The wind roared in disapproval as the verdict was passed. Daniel couldn’t move: the words had frozen him to the seat. He steadied his breathing and rose, desperately trying to stay standing. He organised his papers with shaking hands, trying to uphold whatever dignity he had left. A flush of heat crept up his neck— he longed for the cool, autumn breeze. Eyes fixed on the floor, he left the courthouse hurriedly.
The rain fell relentlessly outside. Cold as it was, the wind felt comforting. By the time he finally got a taxi, he was soaked and shivering. Thankfully, the driver wasn’t the chatty type. Daniel was grateful for that.
He still had his papers in his hand — they were soaked beyond repair. He could’ve sworn he’d stuffed them in his bag as he left. Pressing his forehead to the cool glass, he desperately tried to steady his shallow breath.
He practically fled the taxi. Did he pay? Even if he didn’t, the taxi had already driven off. He stepped through the sleek glass doors, painfully aware of the sharply dressed people rushing past him. He made for the elevator, dragging his feet as he went.
The ding of the elevator echoed longer than it should have. His legs protested, but he laboriously stepped onto his floor. As he approached his office, he thought he heard his name in hushed whispers around the floor. His hand trembled violently as he struggled with the doorknob. He entered, and his eyes fell hard on a small envelope on his desk.
He tore the letter open with clammy hands. He read slowly at first, then faster as the words sank in. Performance. Standards. Termination. Packages. It was all over in a matter of moments. He glanced at his wife’s picture on his desk, wondering how he was going to tell her.
His fingers jittered with a tremor he couldn’t control. The picture of Anita was the last item in his box. He stared at her radiant smile, and a pit formed in his stomach. They hadn't had a conversation without fighting recently — this wouldn't improve things.
Daniel took a last look at the office, yet he only saw blank faces staring aimlessly back at him. He stepped out of the pristine glass doors with a clawing in his chest. Standing in the relentless downpour, with twenty years of life in his hands, he couldn’t call another taxi.
Every raindrop that afternoon felt like judgment, a silent voice telling him to change. He clung to his box with all he had as he set out into the late-afternoon bustle. Walking had never held much appeal to him, and struggling to make way through a sea of faces, he remembered why. It wasn't so rare anymore: a broken man in a suit carrying all he owned at two in the afternoon.
Lost in his thoughts, Daniel barely registered his surroundings until an angry car horn pierced through the fog. The angry words, the raised voices, they didn’t matter. He just wanted to go home.
Aimlessly, Daniel stumbled his way down the packed street. Quite suddenly, he tripped through the front door of a market — twenty years of life spilt on the polished floor. Puzzled stares on his back humiliated him further as he scrambled to pick up his dignity. While he was there, he wanted to get something for his Anita - flowers, maybe.
When he reached the aisle, a cold shock ran down his spine. He’d forgotten her favourite flower. Instinctively, he reached for the white lilies closest to him. She’d like those, right?
He went to pay and handed the bunch to the youthful cashier. She took his money, then sent him off with an emotive “Take care of yourself.” Something caught in his chest as he collected himself. Standing by the exit, he steadied his rapid breathing. He wasn’t far from home; he could still walk. He set out again, a cautious pace carrying him home.
As he entered his building, Daniel caught sight of himself in the mirror. The man in the mirror looked pale and exhausted: his tie was at a crooked angle, and his suit was soaked through. Sighing, he continued up to his apartment. Dreading what was once the best part of his day, he took a deep breath and stepped inside.
His heart hammered in his throat as he turned his key in the lock. He wasn’t going to knock, not this time. She deserved the truth, in all its bitterness. He watched her motionless silhouette. She didn’t even turn around. How was he going to redeem himself when her silence told him everything he needed to know?
He set his case down gently and said into the air, “Honey, I’m home!”
The silence closed in on all sides. Finally, she responded with a quiet “Oh.. hi”. She rose with an air of caution. “You're home early?” she mumbled. Her eyes were unpacking him. She knew.
“Dinner’s made. The guests will be here soon.” Her expression tightened. He’d rehearsed this moment a thousand times over, yet couldn’t soften it.
“I lost it… the case. And the job.”
She froze, midway to the kitchen. Every muscle was rigid, her voice was low and shaky as she uttered: “How?”
“I don't know, sweetheart,” he responded, his voice beginning to shake. “I really don't know.” She reached to hug him, but rushed away, saying something about her hair.
Daniel collapsed in his armchair and let out a long sigh. Looking around, he noticed Anita's armchair was strangely untouched. She loved that chair.
His thoughts were interrupted by a sharp knock on the apartment door —their guests, of course. Charlie had been his best friend since college, and Anita and Eva got on very well. Dinner together was always fun. His stomach twisted when he got up, but he hadn’t seen them for a while.
The door swung open, and there they were — Charlie smiling a little too hard and Eva clinging to his arm. Charlie paced forward and embraced him for a moment too long. “How’ve you been?” Charlie asked him with a strange look in his eye.
Before he could stop himself, he blurted, “I was fired today, actually”.
“Oh no, how awful!” Eva exclaimed. Her eyes were full of pity as she hugged him. “Is there anything we can do for you?”
“No, no, it's quite all right.” Eager to move on, he added, “How about we head to the dining room? Anita’s made us a brilliant chicken, it smells amazing!”
He led them into their dining room: a luxurious chicken was sitting in the middle of the table with side dishes around it. Anita always made an incredible chicken dish — he loved her cooking, yet he had little appetite today. Something metallic caught his eye: a piece of tinfoil at the edge of the table.
He went through to the kitchen to bin the foil, while the other two began serving themselves. Something else caught his eye, only for a split second. A black ribbon, he had no memory of. He left the room quickly, pushing the thought aside.
He sat down stiffly. As he reached for the chicken, he noticed there were three places set and three chairs filled. Nothing for Anita: no chair, plate or cutlery. He dwelled on that, though, and began helping himself to the peas. They were cold. “Hey guys, do you want me to heat these peas?” Daniel said. An unexpected silence followed, one he seemed unable to escape today.
Charlie looked up from his plate. “Are you sure you can do this?” he asked, emotion filling up his face. “We know how hard it’s been”. His words received a quiet “Charlie!” from Eva, who wore a similar expression. “Let me.”
The question took him aback. What about today couldn't he do? Daniel had frozen, waiting for someone to explain. Eva’s eyes darted, and Charlie looked as if he was ready to cry. Slowly, Charlie said, “Do you know where Anita is?”
“She’s upstairs, fixing her hair,” Daniel said, uncomfortably aware of a lump in his throat. “Right?”
Eva now looked ready to cry. Turning to Charlie, she said, “I’ll tell him, baby, it's ok.”, her voice cracking. Charlie responded gently, whispering, “It’s ok, I know it's been so hard.”
Panic rose in Daniel’s throat, and he interrupted, saying, “Tell me what? What’s going on? Charlie, please, what's happening?” His hands were clammy, and his stomach lurched as it had that same morning. It seemed so long ago, going into work that morning. He hadn’t seen Anita that morning either.
“Anita’s not coming out, Daniel. She hasn’t been here for weeks”
Daniel stared at him, waiting for the punchline. Forcing a laugh, he said, “That's not funny”
The ground shifted beneath his feet, as if it was no longer able to hold him. “But, no. That can't be.” he exclaimed, panic creeping into his words. “No, I’ll go get her, you’ll see.”
Without another word, Daniel left the room, each breath shorter than the last.
He rushed out of the room and found himself outside their bedroom. He knocked softly, and the door creaked open.
The rooms were untouched. Pictures of her were everywhere: on the dresser, the bedside table, and the bed. His eyes fell on the bed and the lilies on her side. His knees buckled, unable to take his weight any longer.
Behind him, footsteps approached.
“Daniel?” Charlie’s voice was kind, but he needed Anita. Eva was sobbing in the dining room, and he could hear her.
“I just.. I need a minute” His vision swam, and the scent of the lilies filled his head. He remembered why she’d hated lilies - they were Death’s bouquet, she’d always said.
There would be no lilies at her funeral. He’d bought them anyway — it didn’t matter now.